I noticed that whenever I read a romance novel with secret agent main characters, these stupid things always crop out in so many of those books. Why is that?
- The secret agent heroine is always in love with her hunky superior. I don't understand why, but these women always are in love with those men. These men could be their trainers, supervisors, partners, but they are also the heroine's superior in terms of abilities. It is as if a secret agent heroine has no role in the organization other than to cheer the hero on before getting kidnapped and having to be rescued by the hero for the penultimate scene.
- The hero is a death magnet. His partner died. His wife and infant died. Sometimes, the heroine's partner died but it is always the hero's partner, parents, family, or all three who are sacrificed for some stereotypical "I'm A Vigilante Now, See My Stubble!" antics from the hero. I'm surprised that the heroine isn't concerned about her longevity, since it's obvious by now that the hero is better at being guilt-ridden than at keeping plants alive.
- When the hero is on a mission, he is always acting against his superior's orders. And the superior often turns out to be evil. When the heroine is on a mission, it is because she is trying to locate her missing father or sibling or investigate the death of a best friend. It is as if heroes cannot follow orders and heroines have no concern about anything outside her family and small circle of friends. When both the hero and heroine embark on a mission together, chances are they have to pretend to be lovers. Or in an erotic story, she has to pretend to be some dominatrix.
- The secret agent heroine stammers, cannot lie, or in rare cases, feels uncomfortable about lying. Goodness me, where do they find these charming idiots?
- The heroine has an innate ability to sense that the hero, her suspect, is innocent. Her attraction to his abs and her desperate need for her first orgasm do not affect her impartiality, naturally.
- World-class terrorist leaders bent on world-domination hire thugs to watch our hero and heroine with orders not to harm the hero and heroine.
- When on the run, the hero and the heroine can still have sex twice or thrice.
- The villains will show up conveniently after the sex scene or before the sex scene but never during.
- Every villain wants to rape our heroine.
- Every villain's mistress is the hero's ex who still wants to sleep with the hero.
- In a murder mystery, if the villain is male, he is a traitor who holds a personal grudge against the hero. If the villain is female (and they always are, for some reason), she is jealous of our heroine, wants our hero, or is some weirdo who is scorned by some man so she now hates all men. For some reason, very few villains harbor a genuine personal grudge against the heroine that isn't related in any way to the hero.
- Secret agents have no personal politics or dogma.
- Secret agents think in black and white, just like military guys do. They never get involved in morally grey missions.
- Secret agent heroes have names like Ace Jaxxon, Striker Shooter, Nick Scorpion, Alex Hawk, and other names previously reserved for WWE wrestlers and Cassie Edwards' heroes.
- Secret agent heroines have friends that are murdered by serial killers before. It's the latest "in" thing, I believe.
- Serial killers always target female secret agents - no exceptions - in their thoughtful note-sending sprees.
- Female secret agents are always profilers or evaluators or psychics. Very few actually deal with field work - they leave all that gung-ho stuff to the men, doncha know. Female secret agents get bonus cookie points if they are psychic, even more cookie points if being psychic means that they are still clueless anyway in the investigation.
- Every small town has a serial killer.
- Every small town has a big house with a big basement filled with dead bodies.
- Yet no one ever consider just catching the inhabitants in these big houses whenever dead bodies show up.
- In small town, other women are always the killers. But if these other women are not present, the local rich kid, who always want to develop the smalltown, is always the bad guy.
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